Croatian House, Split

Croatian House, located in Tončićeva Street, Split, is one of the most representative Art Nouveau buildings in the city. It was built in 1908 according to the design of architect Kamilo Tončić, and intended as a gathering place for cultural, artistic, and sports associations.

From its opening, the Croatian House served as a cultural centre, hosting concerts, exhibitions, and gatherings. Adaptations—most notably the 1930s and wartime renovations—altered or removed much of its original decoration, yet the underlying architectural structure and Tončić’s design intent remained legible.

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A major restoration project later strengthened the building and carefully reconstructed its Art Nouveau decorative elements using historical photographs and traditional craftsmanship, returning the Croatian House much of its original elegance. Today, it represents a model Croatian Renaissance palace building, testifying to the high level of architectural culture, workmanship and wealth of the citizens of Split.

Our XR reconstruction preserves and presents this architectural gem in unprecedented detail, allowing visitors worldwide to experience its grandeur remotely. The project combines photogrammetry, archival research and state-of-the-art rendering technology to create an authentic virtual experience.

Before & After image: Main facade in 2011. and in 2021. (PHOTO: Valentino Bilić Prcić)

Key insights

Style
Art Noveau
architect
Kamilo Tončić
Time Period
Early 20th Century
Typology
Public building, Concert Hall
Location
Tončićeva ulica, Split, Croatia
image of a lively gaming area (for a gaming and entertainment)

BIM MODEL

virtual walk

Photographs: Ivana Marušić; Kazinoti & Komenda (signage); Valentino Bilić Prcić

Digital art and illustrations: Mile Modić (from the website www.forgas.store ); Extract from the architectural main design project by Gordana Kuzmić-Kalogjera 

Archival photographs: Conservation Department in Split, Museum of the City of Split, University Library in Split, private archives

Project management (restoration): City of Split

Execution of conservation works and decoration reconstruction: Neir d.o.o., Split

Execution of construction and craft works: Teh-gradnja d.o.o., Zagreb

Research, conservation supervision and project management: Conservation Department in Split, Ministry of Culture and Media of the Republic of Croatia (MSc Sanja Buble, architect and conservator, PhD Sandi Bulimbašić, art historian and conservator)

Special thanks to:
 PhD Sandi Bulimbašić, Vanesa Kleva (Director), Slaven Tahirbegović, Ante Balarin–Đipalo, Ivona Zulim, Brist Tourist Agency, Petra Milovac

The content of the virtual exhibition is based on the research of conservators and available literature.

Bezić Božanić, Nevenka (1965). »Prilog proučavanju secesije u Splitu«, Peristil 8–9, 175–182.
Buble, Sanja (2011). »Hrvatski dom Kamila Tončića u Splitu«, Prilozi povijesti umjetnosti u Dalmaciji 42, 417–439.
Buble, Sanja (2019/2020). »Hrvatski dom u Splitu, izazov obnove«, Godišnjak zaštite spomenika kulture Hrvatske, 43/44, 115–130.
Buble, Sanja (2024). »Hrvatski dom u Splitu, svjedok vremena«, Hrvatska revija 3, 2024  Časopis Matice Hrvatske.
Bulimbašić, Sandi (2016). Društvo hrvatskih umjetnika »Medulić« (1908. – 1919.) umjetnost i politika, Zagreb: Društvo povjesničara umjetnosti Hrvatske.
Kezić, Mario (1991). Arhitektura secesije u Splitu, Split: Književni krug.
Piplović, Stanko (1991). Kamilo Tončić, Split: Društvo prijatelja kulturne baštine.
Šverko, Ivana (2003). Splitska škola za dizajn, Split: Književni krug.