Contemporary Design in Split
The reconstruction and renewed use of the Croatian House opened up a new chapter for the building—and for contemporary design in Split. With the reopening came new needs and opportunities, including a wayfinding system and a new institutional logo, followed by posters and digital materials for the many events held here.
Key figures
These projects created a fertile ground for local designers. Notably, Kazionti & Komenda shaped the building’s visual identity through their wayfinding design, while Mile Modić continues to create striking event posters. Scroll on to see how the Croatian House—its forms, history, and atmosphere—has inspired their visual language and design work.
Programme Posters
Since the reopening, the distinctive visual identity of the programme—marked by strong contrasts and striking typography—has been skillfully shaped by designer Mile Modić. The result is a series of posters that bring a contemporary interpretation of Art Nouveau charm into the urban space and the streets of Split.
Wayfinding & Signange
The elegant signage for the Concert Hall of the Croatian Home in Split, created by Kazinoti & Komenda design team, draws inspiration from the building’s interior.
Monogram
The idea of the monogram was taken from the wall decorations in the main hall, with integrated graphic lines as a metaphor for strings and music sheets.
Use of Typography
Delavard font, designed by Croatian designer and typographer Nikola Đurek, is based on nineteenth-century Art Nouveau posters. Typography reflects elements of space - the connecting baselines of the gold letters resemble the shape and color of staircase rails.
